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CHARLEY FRIEDMAN
www.charleyfriedman.com
email: charleyelrahc@gmail.com
cellular: 646-247-3361
Works/Lives: Brooklyn NY, Lincoln
NE 68502
born: 1991
EDUCATION
Skowhegan School of Painting and Sculpture,
Skowhegan ME.
MFA: School of the Museum of Fine Arts,
Boston/Tufts University
BFA: Macalester College, St. Paul, MN
SOLO EXHIBITIONS
2012 Gridspace,
curated: Charles Goldman, Brooklyn NY
2011 Irish
Museum of Contemporary Art, This Place
Has No Atmosphere,
Curator:
K Bear Koss, Dublin Ireland
2010 Gallery
Diet, Magical Powers, Miami FL.
VOLTA,
Gallery Diet, New York NY
2008 Gallery
Diet, A’Cappella, Miami FL.
2007 Sheldon
Museum of Art, The Anatomy of Charley
Friedman, Curator: Dan Siedell, Lincoln
NE
2006 Barbara
Mathes Gallery, Gross Anatomy, New
York
Kantor/Feuer, Project Space Window, New York
2003 White
Columns, White Room #1, New York
2002 Queens
Museum, Ramp & Wedge, New York
1998 CRP
Inc, Recent Work, New York
GROUP SHOWS/PERFORMANCES,
2013 Lehman
College Art Gallery, Contemporary
Cartographies, NYC NY
Blanc
Gallery,
The Written
Word,
Boston MA
2012 Artist
Alliance, Abrazo Interno Gallery, Curated by Edwin Ramoran NY
Culture
Fix, Looking Into The Light, Curator:
Leo Reijnders, NYC
2011 Fabric Workshop, Fighting Kissing Dancing,
Curator:Carlos Rigau, Philadephia PA
U-Turn
Gallery, People That Make Us Smile, Cincinnati
OH
2010 Pulse
Miami, Gallery Diet, Miami FL
White
Box, Sanctioned Array, New York NY
Artware
Editions, Gross Anatomy/Anatomia
Completa, New York NY
Parsons
Hall Projects, Speculation (Elation),
Holyoke MA
2009 Gallery
Diet, Second Skin, Miami FL.
Kuf-Mold,
Video Project, curators: B.Doherty,
S.Batu, Rotterdam Holland
Black
and White Gallery, Commune, curator:
Dominique Nahas NYC NY
Saint
Louis Book Fair, Arte Dos Grafico,
Saint Louis MS.
Berkeley
International Book Fair, Arte Dos
Grafico, Berkeley CA.
2008 PS
1/MOMA, Performance: Betsey Geffen tour
of Gino De Dominicis,
Pulse Miami, Performance: Betsey Geffen ,Miami FL
Nebraska Museum of
Art, RSVP, curator: Teliza Rodriguez,
Kearney
NE
Jan
Colle Gallery, Küf/Mold, curators: B.
Doherty, S. Batu, Ghent Belgium
Entrée, curator:
Krista Saunders, NYC
Gallery
Diet, Betsey Geffen: Gallery Tour,
Miami FL.
Codex
Book Fair, Arte Dos Grafico, San
Franciso CA
2007 PS
1/MOMA, Site Specific Project, NYC
Sarah
Meltzer Gallery, Ceci n'est pas… (This is
not…),curators:Rachel
Gugelberger/Jefferery
Walkowiak, NYC
Dowling
College, Inventory Control, curator:
Judith Page, Islip NY
MASH,
curated by Omar Lopez-Chahoud Amy Smith-Stewart, NYC
Feria
International del Libro de Bogota
, Arte Dos Grafico, Bogota
Colombia
PS1/MOMA,
Emergency Room, Long Island City NY
Tastes
Like Chicken Art Space, One Pill Makes
You Small, curator: Sherry Bittle
2006 Exit
Art, Renegades: A history of Performance
Art, NYC NY
EAB
Bookfair, PS 1 exhibitor, NYC NY
Frankfurt
Book Fair, Ediciones Arte Dos
Graficos, Frankfurt Germany
Pulse
Miami Art Fair, Freight + Volume Gallery, Miami FL
NY
Bookfair, Freight + Volume Gallery, NYC NY
Vox
Populi, Parts of the Whole, curator: Elizabeth
Grady, Philadelphi PA
Peekskill
Project, curator: Alison Levy, Peekskill
NY
Bemis
Center for Contemporary Art, Signal
Channel, Omaha NE
2005 Makor
Gallery, Real Art; A Salon Celebration,
curator: Dave Gibson, NYC
La
Rebeca, Wish You Were Here, curator:
Michele Faguet, Bogota Colombia
Manhattan
Borough Presidents Gallery, Method Makes
Practice, NYC
Participant, HHORRRAUTICA, NYC NY
Cooper
Union, Summer Exhibit, NYC NY
2004 Capsule
Gallery, Sympathetic Nerve, New
York NY
Aljira
Center for Contemp.Art, Timesless,
Timeliness, curator:Dominique Nahas
Newark NJ
Vox
Populi, Screwball, Philadelphia NY
2003 The
New Museum of Contemporary Art, Mother’s Day Install. w/store, New
York, NY
Hallwalls,
B-List: Brooklyn, Angst, Desire, Buffalo NY
CAA
, Crossings, curated by Anne
Ellegood/Rachel Gugelberger,
Perf. as
Betsey Geffen
2002 PS1/Institute
of Contemporary Art, Performance, New
York
The
Soap Factory, Pretending to Pretend,
Minneapolis MN.
White
Columns, Face Value, New York
The
Joymore, The Milk of Human Kindness,
Chicago, ILL.
Scopes
Art Fair: Curateor: Anne Ellegood ,
New York
Momenta
Art, Enough About Me: Curated By Deborah
Kass, New York
"Felix,
Flowers, Flags & Poems": Performance-corner of 22nd and 10ave; Chelsea,
NYC
Exit
Art, Reactions, New York &
Library of Congress, Washington D.C.
Soap
Factory, Video Installation,
Minneapolis MN.
Clifford/Smith
Gallery, Project Space, Boston MA.
2001 Ten
In One Gallery, How I Learned To Stop
Worrying and Love the Recession, New
York
Jack
Tilton/Anna Kustera Gallery, Performance,
New York
Knoedler
Gallery/Skowhegan, Auction, New York
White
Columns, Silent Auction, New York
Bemis
Center for Contemporary Art, 20 of Excellence, Omaha NE
2000 Meat
Market Fair, Chelsea; New York
White
Columns, Posers, New York
Makor
Gallery, In Its Own Way, New York
Site
Simpatico, Performance, New York
Sheldon
Memorial Art Gallery, Documenting
Performance/Preserving Idea.
U.
of NE.
Creiger/Dane
Gallery, New Work/New York, Boston
Exit
Art, The End, SoHo, New York
1999 CRP
Inc, Trauma, New York
Jack
Tilton Gallery, performance, New York
P.S.
122, avantegardearama, New York
Sheldon
Memorial Art Gallery, Recent
Acquisitions, University of Nebraska/Lincoln
Bemis
Center for Contemporary Arts, Selected
Alumni Work, Omaha NE
CRP
Inc, Hottenanny, New York
Double
Pleasure, Mountainslide, New York
AWARDS/RESIDENCIES
2011 Smack Mellon, “Hot
Picks Artist”, NYC NY
2008 Fountainhead
Residency, Miami Fl.
2006 Pollock-Krasner
Foundation Grant Recipient
Tallier
Arte Dos Grafico, Bogota Colombia
2005 Rema
Hort Nominee
2005 Cooper
Union, AIR Summer Studio
2004 Rema
Hort Nominee
2003 Aljira Program, Emerge, Newark NJ
2002 Eastern
Frontier, Norten Island ME.
2001 Bemis
Center for Contemporary Arts, Omaha NE.
2000 MacDowell
Colony, Peterborough NH.
1998 Bemis
Center for Contemporary Arts, Omaha NE.
BIBLIOGRAPHY
GQ Italia Autunno + Inverno, November 2011,
p 23
Nancy Jones, Art Slant, www.artslant.com,
February 2010
Carlos Suarez De Jesus, New Miami Times, February 2010
Brett Sokol, The Miami Herald, Feb. 8, 2008,
p.F2
Adriana Herrera, El Nuevo Herald, Feb. 24, 2008 p.2D
Chris
Bors, Art Info, March, 2008
Benjamin Genocchio, The New York Times, January 28, 2007 p.11
Dan Bischoff, The Sunday Star-Ledger, August 15, 2004, p. 3
Cynnie Gaasch, Art voice, April 20, 2003, p.16
Richard Huntington, “Art Reviews”, Buffolo News, May 2 ,2003, p.19
Joelle Shrestha, “Arts”, Night & Day, April 17, 2003, p.11
Johnson, Ken, “Reviews”, New York Times, Feb 21, 2002 Weekend
Sec. p. 5
Johnson, Ken, “Reviews”, New York Times, Dec 4, 1998 Weekend Sec.
p. 4
Walgamott, L. Kent, “Reviews”, Lincoln Journal Star, June 3, 2001 p.
16H
Walgamott, L. Kent, Sunday Journal Star, Nov 1998, p. 6
Smith, Roberta, New York Times “Terra
Bomba, A Performance View of Installation”, January 31, 1997, Sec C, p.28
Freedman, Matt, “Terra Bomba, Exit Art” Review, January 15, 1997, p. 18
Levin, Kim, “Terra Bomba”, Village Voice, December 24, 1996, Choice
Section
PERMANENT COLLECTIONS
Brooklyn
Museum, Artist Books Collection, Brooklyn
NY
Stanford
University, Stanford CA.
Goldman
Collection, New York NY
New York Public
Library, Prints & Drawing
Collection,, New York City
Amherst
College, Amherst MA.
Sheldon
Memorial Museum, Lincoln NE
Bemis
Center for Contemporary Arts, Omaha NE
VISITING ARTIST & LECTURES
2012 University
of Nebraska, Hixson-Lied Graduate Lecturer
2011 De
La Cruz Collection, Miami FL
University
of Nebraska, Lincoln
Brooklyn
College, Brooklyn NY
University
of Nebraska, Wilson Memorial Lectures, Omaha NE
2010 The
School of the Museum of Fine Arts, Boston MA
2008 University
of Buffalo, Buffalo NY
Mont
Clair State, Mont Clair NJ
Buffalo
State, Buffalo NY
New York Studio
School, Panel Coordinator: John Tomlinson
2007 Cooper
Union, Guest Artist, NYC
2006 New
York Studio School, Panel Coordinator: Dominique Nahas
Makor
Center, Guest Panel, Panel Coordinator:Dave Gibson, NYC NY
2005 Makor
Center, Guest Panel, Panel Coordinator:Dave Gibson, NYC NY
2004 University
of Tennessee, Visiting Artist; Sculpture Deparment
2003 New
York University, Guest Lecture
2000 The
MacDowell Colony, Guest Lecture
1998 Bemis
Center for Contemporary Arts, Guest Lecture
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